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A arte de Brasília: 2000-2019: Direitos Autorais

A arte de Brasília: 2000-2019
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table of contents
  1. Folha de Rosto
  2. Sobre a Autora
  3. Dedicatória
  4. Agradecimentos
  5. Direitos Autorais
  6. 1. Uma introdução à arte de Brasília
  7. 2. Um panorama histórico da arte de Brasília
  8. 3. João Almino e o direito criativo à cidade
  9. 4. Encontros criativos na Brasília de Nicolas Behr
  10. 5. A arte de Ceilândia em Branco Sai, Preto Fica, de Adirley Queirós
  11. 6. Slams de poesia e as competições de versos em Brasília
  12. 7. Livros insurgentes de poetas negros contemporâneos de Brasília
  13. 8. Traços, a arte de rua e o renascimento cultural de Brasília
  14. Epílogo
  15. Referências Bibliográficas

Copyright © 2021 by Sophia Beal

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

Published by the University of Minnesota Libraries Publishing

309 19th Avenue South

Minneapolis, MN 55544

www.lib.umn.edu/publishing

ISBN: 978-1-946135-70-4

DOI: 10.24926/9781946135704

For Figures 2.1, 5.1, 5.2 and 8.1, the author was given “non-exclusive permission to use the above-referenced Material in this and future editions of the Book (including, without limitation, adaptations, revised and condensed versions and excerpts from the Book), in all media and formats and in all languages for distribution throughout the world, and to include excerpts from the Book in advertising, publicity, and promotional materials but at all times in relation to the Book and derivatives or ancillaries thereof. The Book is written for an academic/professional audience, and permission is requested to cover the lifetime of the work.”

Figure 2.1 (Still from a film by Luis Turiba and Lúcia Leão, 1978)

Figure 5.1 (Photograph by Bruno Peres, 2008)

Figure 5.2 (Still from the film Branco Sai, Preto Fica, 2014)

Figure 8.1 (Photograph by Guilherme Rosental, 2012)

An English edition was previously published by Palgrave Macmillan in 2020.

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